Crow LakeBook - 2002
Luke, Matt, Kate and Bo Morrison are born in an Ontario farming community of only a few families, so isolated that "the road led only south." There is little work, marriage choices are few, and the winter cold seeps into the bones of all who dare to live there. In the Morrisons' hard-working, Presbyterian house, the Eleventh Commandment is "Thou Shalt Not Emote." But as descendants of a great-grandmother who "fixed a book rest to her spinning wheel so that she could read while she was spinning," the Morrison children have some hope of getting off the land through the blessings of education. Luke, the eldest, is accepted at teachers college -- despite having struggle mightily through school -- but before he can enroll, the Morrison parents are killed in a collision with a logging truck. He gives up his place to stay home and raise his younger sisters -- seven-year-old Kate, and Bo, still a baby.
In this family bound together by loss, the closest relationship is that between Kate and her older brother Matt, who love to wander off to the ponds together and lie on the bank, noses to the water. Matt teaches his little sister to watch "damselflies performing their delicate iridescent dances," to understand how water beetles "carry down an air bubble with them when they submerge." The life in the pond is one that seems to go on forever, in contrast to the abbreviated lives of the Morrison parents. Matt becomes Kate's hero and her guide, as his passionate interest in the natural world sparks an equal passion in Kate.
Matt, a true scholar, is expected to fulfill the family dream by becoming the first Morrison to earn a university degree. But a dramatic event changes his course, and he ends up a farmer; so it is Kate who eventually earns the doctorate and university teaching position. She is never able to reconcile her success with what she considers the tragedy of Matt's failure, and she feels a terrible guilt over the sacrifices made for her. Now a successful biologist in her twenties, she nervously returns home with her partner, a microbiologist from an academic family, to celebrate Matt's son's birthday. Amid the clash of cultures, Kate takes us in and out of her troubled childhood memories. Accustomed to dissecting organisms under a microscope, she must now analyze her own emotional life. She is still in turmoil over the events of one fateful year when the tragedy of another local family spilled over into her own. There are things she cannot understand or forgive.
In this universal drama of family love and misunderstandings, Lawson ratchets up the tension, her narrative flowing with consummate control in ever-increasing circles, overturning one's expectations to the end. Compared by Publishers Weekly to Richard Ford for her lyrical, evocative writing, Lawson combines deeply drawn characters, beautiful writing and a powerful description of the land.
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The death of their parents, when Kate is 7 years old, Bo a toddler, and her brothers in their late teens, threatens the family with dispersal and seems to spell the end of their parents' dream that they should all have a college education. Luke, the oldest but not the most academic, gives up a place at a teachers college in order to look after the younger two and allow Matt, academically brilliant and idolised by Kate, to complete his schooling and compete for university scholarships. This sacrifice leads to much tension between the brothers. Both work intermittently for a neighbouring family, the Pyes, who for several generations have suffered from fierce conflicts between fathers and sons. In the final crisis, Matt, after winning his scholarships, discovers that he has made the meek and distressed daughter of the Pye household, Marie, pregnant; she also reveals that her father, Calvin Pye, has killed her brother on accident, who was thought to have run away from home as several other Pye sons had done. Calvin Pye kills himself, and Matt has to give up his plans for education to marry Marie. Kate sees the loss of Matt's potential academic career as a terrible sacrifice, and is unable to come to terms with Marie or Matt thereafter. The dénouement of the adult Kate's story comes when she returns to Crow Lake for Matt and Marie's son's eighteenth birthday, introducing Daniel to her family for the first time. In the course of this visit, she is made to realise - first by Marie and then by Daniel - that Matt's loss though real was not the total tragedy she had always considered it, and that it is her sense of it as tragic that has destroyed her relationship with him. The book ends with her struggling to come to terms with this view of their past and present relationships; the struggle is left unresolved but the final tone is optimistic.
The book is essentially a double Bildungsroman, in that the development of both Matt and Kate is charted; but whereas we see the key events in Matt's young adulthood more or less in sequence, the key events in Kate's are sketched in from both ends, towards a crisis that in terms of events is Matt's but psychologically is more significant for Kate. The mixture of perspectives involved in Kate's story allows the author to relate violent events and highly charged emotions in a smooth and elegant style, a quality for which the book has been widely praised by reviewers.
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